Jorge, 37

Jorge, 37

Meet Jorge…

…We always want to help when we get out, but we forget that we can help in here, like Edwin and Miguel are doing in our society in here. A lot of us don’t know how to do it and express what we are going through and need help to get it out into the world and change the image that is given to us.

Incarcerated: 21 years

Even though we have our ups and downs, I love that I was named after him, and I would name my son Jorge too if my wife is ok with it. We plan to have a baby at our next family visit…

Everything started in Juvenile Hall when I was arrested at age 16. I was not good at reading and writing, not even in Spanish. I remember I had a stack of letters from my mom in Spanish and I felt so bad I couldn’t read them. I got past my pride and asked the staff to help me read them. She started crying and I didn’t know how to react. I thought I did something wrong. She told me she would teach me to read and write, that I should have told her a long time ago, but I was prideful and I didn’t want people to know. I let my mom know, and she looked at me with a blank stare, like she thought I did know how to read and write in Spanish, at least. She just couldn’t believe it. She told me to do her a favor, “If you can draw me a happy face if you are happy or a sad face if you are sad, hearts and send it in the mail. So I know you’re ok. That’s how it all started, by doing small things for her. She inspired me to draw and all I wanted to do is keep her happy. As long as it put a smile on her face, I was willing to do it.

I got better at drawing roses and religious stuff like crosses. Early on I did a gangster praying to a virgin that turned out chubby because of the roses around her. In the drawing with the mask baby, I use crayons and mainly charcoal. I love charcoal – most of my drawings are in charcoal. I drew that as a message for people to get vaccinated and don’t be selfish because the next generation is going to be taking care of the aftermath. I understand people have their reason if they don’t take it, everybody has the right to do what they want, but I think it is the right thing to do.

We all have our moment in time when we can change, like a click. You hope it comes before you’re a wreck. We always want to help when we get out, but we forget that we can help in here, like Edwin and Miguel are doing in our society in here. A lot of us don’t know how to do it and express what we are going through and need help to get it out into the world and change the image that is given to us.

WHAT WOULD YOU SAY TO SOMEONE TO IDENTIFY YOURSELF?

I am a humble and caring person, and when it comes down to family, they’re my number one. I love my family.

I like to be judged by my actions instead of the way I look. I’m a son, a brother, and a husband. When you start speaking to people, you see that we have potential, in a lot of different ways.

It’s hard for people to approach me even here because of the tattoos I have on my face and the way I look. I’ve heard the same thing from others who are blasted (tattooed) like me. Even here, getting hired for a new job in prison-like I did in the hospital, we get attention, like we are up to no good somehow, and stand out like a troublemaker. They think, “Let’s see how long you last here.”

I take pride in what I do and my coworkers see that. We work our hours and get to interact with people from society. There are not a lot of jobs like that in prison. Who would have thought you would be in an elevator with people from society? I thought we’d be treated differently…

Jorge, 37

Jorge’s Gallery

Artist Jorge, 37

WHAT GOT YOU INTO ART?
Everything started in Juvenile Hall when I was arrested at age 16. I was not good at reading and writing, not even in Spanish, and I was lacking in education. I remember I had a stock of letters from my mom in Spanish and I felt so bad I couldn’t read them. I got past my pride and asked the staff to help me read them. She started crying, and I didn’t know how to react. I thought I did something wrong. She told me she would teach me to read and write, that I should have told her a long time ago, but I was prideful and I didn’t want people to know. I let my mom know, and she looked at me with a blank stare, like she thought I did know how to read and write in Spanish, at least. She just couldn’t believe it. She told me to do her a favor, though, “If you can draw me a happy face if you are happy or a sad face if you are sad and send me that in the mail. So I know you’re ok. That’s how it all started, by doing small things for her. My mom inspired me to draw and all I wanted to do is keep her happy. As long as it put a smile on her face, I was willing to do it. In the drawing with the mask baby I use crayons and mainly charcoal. I love charcoal – most of my drawings are in charcoal. I drew that as a message for people to get vaccinated, don’t be selfish, the next generation is going to be taking care of the aftermath. I understand people have their reasons, everybody has the right to do what they want, but I think it is the right thing to do.

Erick’s Gallery

Erick’s Gallery

Artist Erick, 36

I first started with art when I was in jail to send to my friends and family. I eventually met other people that drew, who made their own tools, and were way better. They motivated me to improve. I had a knack for drawing before I was incarcerated, but it took off like a rocket being in here. My inspirations surrounding my art came from my environment, sketching, listening to music, watching TV shows, looking at tattoo magazines, art books and other people’s artwork. I also gain inspiration from thinking of certain words. Overall, an idea pops into my head and I write it down to draw upon later or sketch it immediately, then refine it later. The reason why I submitted my artwork is to send good vibrations into the world so people who see my artwork can hopefully feel my emotions, happiness, euphoria, laughter and wonder. Also, I wanted to bring awareness to incarcerated people to show we are capable of doing good and that we are people still; wanting to earn our way home.

Thank you for giving me this opportunity to share my story.

Gerald’s Gallery

Gerald’s Gallery

 

 

Artist Gerald, 68

It all started in high school when I first started really noticing girls. We had a subscription to Jet Magazine. I started drawing the centerfold models, to the point that they appeared like photos. However, once I started having my own family, I didn’t have time any longer. Life demanded that I had to work and provide for them. In 1998 I made the biggest mistake in my life…murder. Upon being incarcerated, I didn’t want to be involved with the world of darkness I had been sentenced to be submerged among. So I went back to drawing. It was a skill I still had. I began drawing portraits of inmates’ families. The money came fast and I started to lose interest after a while. Why? Because it became a job. I had lost the enjoyment. It wasn’t until I arrived at San Quentin in 2011 and was introduced to the Arts in Corrections program, there the spark was re-lit. Painting was something new and challenging. I began to vision a more technical skilled level of expression of all aspects. I found that as long as I did art to please myself, and not place a price on it, I could get lost, to the point that I would escape a few hours in my creation. I have never limited myself to just one form. Watercolors are my least favorite. However, one which I am learning to use now. It’s quickly becoming my favorite. Acrylics are what I generally use as of right now. Yet my main inspiration has come from an inmate, Bruce Fowler. Watching his interpretations unfold on canvas, showed me that within these walls world class art is possible. Others have given me the tools within San Quentin’s Arts in Corrections, too many to name. Yet each canvas has no time limits, I paint until I am happy with the outcome. It’s just like a child, you have good and bad, yet they are yours, and you try to do your best when introducing them to the world. I’ve sent a few in order to show the variety of expressions I wish to project when I paint.
1) The Demure woman looking over her shoulder; I wanted to project her life.
2) A little prayer. I want people to feel that we are not alone, we each have bad days.
3) The South Carolina woman, by E. Hopper. It just caught my attention to a past rural life – style I lived in Texas.
4) Birds are my attachment to another species of intelligence most people never see.
5) Prison Profile, was my concept for how in-humane prison treatment is and has made man a caged beast.
6) Then there is History, such as my painting of Pompei (illegible), similar to inmates of today at each other’s throats just to survive, if they live, they go to the board.
7) However, I do have a playful side and when I do, I express it in the form of Betty Boop etc.
8) Society clown – this was based on how gangs utilize colors for separation. Yet the star behind the ear is how I see society in the background not being concerned…as long as they are killing each other.
9) Kaepernick and protesters all fall on the same issue of unfairness.
10) Lady Liberty dwells on the environment and how big business could care less as long as money is the bottom line between Russia and the United States eventually the environment will be completely destroyed. Anyway, Diane and Juan; these are some of the thoughts that come into focus when I am painting.

I will never be a one-dimensional painter. Why? Because this is not a one-dimensional world.
Enough said!
With Gratitude,
Gerald

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